“It’s dirty work,” Flossie confided one day to Madge Singleton. “I trade on my silly face. Don’t see that I’m much different to any of these poor devils.” They were walking home in the evening from a theatre. “If I hadn’t been stony broke I’d never have taken it up. I shall get out of it as soon as I can afford to.” The wounded men had heard it also. Dubos had moved forward. Madame Lelanne had risen. It came again, the thin, faint shrill of a distant bugle. Footsteps were descending the stairs. French soldiers, laughing, shouting, were crowding round them.!

Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained. Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.

Joan was puzzled what to say. She knew exactly what she ought to say: what she would have said to any ordinary child. But to say it to this uncannily knowing little creature did not promise much good. Mrs. Phillips progressed slowly but steadily. Life was returning to her, but it was not the same. Out of those days there had come to her a gentle dignity, a strengthening and refining. The face, now pale and drawn, had lost its foolishness. Under the thin, white hair, and in spite of its deep lines, it had grown younger. A great patience, a child-like thoughtfulness had come into the quiet eyes. “Dear old boy,” he said. He was watching her with a little smile. “I’m glad he’s got some luck at last.”